交互的未來(lái)（第五季）青年藝術(shù)家邀請(qǐng)展Future of interaction(Season 5)Young artists invitational exhibition主辦單位Presenting Institution
  深圳市羅湖區(qū)文化廣電旅游體育局羅湖深港現(xiàn)代商貿(mào)業(yè)升級(jí)發(fā)展區(qū)指揮部Shenzhen Luohu District Bureau of Culture.Radio,Television,Tourism and sportsCommand Headquarters of Luohu Shenzhen-Hong Kong Modern Commercial and Trade Industry Upgrade and Development Zone承辦單位Executive Organizer深圳市羅湖美術(shù)館
  三一八藝術(shù)文化Shenzhen Luohu Art Museum318Art&Culture協(xié)辦單位Supporting Organization深圳市青年美術(shù)家協(xié)會(huì)
  Shenzhen Young Artists Association展覽時(shí)間Exhibition Dates2025年7月18日-8月6日J(rèn)uly 17th-August 6th,2025展覽地點(diǎn)Exhibition Hall深圳市羅湖美術(shù)館(羅湖區(qū)南極路6號(hào))
  Shenzhen Luohu Art Museum5 Nanii Road,Luohu District,Shenzhe學(xué)術(shù)主持Artostic Advisor陳俊宇
  Chen Junyu策展人Curator惠書(shū)文
  Hui Shuwen總統(tǒng)籌General Coordinator于延豐劉振文
  Yu Yan Feng、Liu Zhenwen展覽統(tǒng)籌Exhibition Coordinator柳夢(mèng)潔高楠楠liumengjie Gao Nannan展覽委員Exhibition committee楊竹君梁文凱張嘉寧
  Yang Zhujun Liang Wenkai Zhang Jianing
  參展藝術(shù)家名單List of participating artists
  李木子、唐明偉、張釗瀛、柯明、羅威、潘小榮、朱可染、何啟如、普鵬、勞家輝、肖穎、何沙沙、高貫一、王俊遠(yuǎn)、劉冠辰、楷茳、曾樸、朱丹、李強(qiáng)強(qiáng)、王青、卜萱、蔡娟、陳承衛(wèi)、陳清勇、儲(chǔ)楚、翟軒弘、杜海軍、方凱、高樹(shù)杰、龔雷、龔新如、古靜、歸榮彪、郭思汐、何鎰、胡婧璇、黃琳珺、黃賽峰、黃向前、黃亞雅、黃祎勤、李健豪、林江泉、劉和焦、劉杰、劉利斌、劉慕儀、劉亭君、劉小沨、馬健衛(wèi)、毛嘉、梅雨璐、彭捷、任宏偉、任啟星、宋孟依、孫寧、譚大利、庹夢(mèng)倩、王浩、王小雙、王志新、吳德生、吳江濤、徐澤、徐長(zhǎng)遠(yuǎn)、許偉波、姚虹賓、于童、戰(zhàn)興隆、張寧、張彤、趙兵、趙淋、趙煜亞、周杰、周若成、朱泓彥、祝青
  文/惠書(shū)文
  當(dāng)代碼成為血液中流淌的電解質(zhì)，當(dāng)屏幕成為知覺(jué)延伸的神經(jīng)突觸當(dāng)算法以無(wú)形之手編織我們的情感圖譜與社交經(jīng)緯——交互早已掙脫技術(shù)的桎梏，演變?yōu)槿祟惔嬖诘幕旧鷳B(tài)。我們“在使用”交互技術(shù)的同時(shí)，也是“棲居”于交互編織的未來(lái)場(chǎng)域?！督换サ奈磥?lái)》行至第五季，我們不再滿足于技術(shù)對(duì)藝術(shù)語(yǔ)言的單向塑造，而是聚精會(huì)神地聆聽(tīng)藝術(shù)如何以創(chuàng)造的強(qiáng)音，回應(yīng)、解構(gòu)、重塑個(gè)體在自我生命中的價(jià)值體驗(yàn)。來(lái)自全國(guó)的青年藝術(shù)家群體，作為數(shù)字文明的原生代，正以其敏銳的神經(jīng)末梢與獨(dú)特的語(yǔ)法體系，成為這個(gè)時(shí)代中最具先鋒性的勘探者與實(shí)踐者。本次展覽如同一座多維共振的實(shí)驗(yàn)室，匯聚架上繪畫(huà)的深邃沉思、雕塑的物質(zhì)重量、裝置的沉浸場(chǎng)域與新媒體藝術(shù)的虛擬靈光。這些年輕創(chuàng)作者拒絕淪為技術(shù)景觀的被動(dòng)記錄者，他們以“逆向解碼”的自覺(jué)姿態(tài)將思想主動(dòng)介入技術(shù)的內(nèi)核。在架上繪畫(huà)領(lǐng)域，藝術(shù)家們以顏料為數(shù)據(jù)載體進(jìn)行著詩(shī)意化的表達(dá)。有的作品以層層疊壓的油彩肌理模擬信息加載的多元視角，并在畫(huà)面中保留一片具有韻律節(jié)奏的筆觸飛地；亦有創(chuàng)作者將社交媒體的碎片化圖像轉(zhuǎn)化為細(xì)膩的拼貼物，從而凝固數(shù)字記憶的易逝性。這不僅說(shuō)明畫(huà)布依然是最具精神濃度的界面，亦承載著數(shù)字洪流中不可被算法簡(jiǎn)化的心靈震顫。雕塑與裝置則成為實(shí)體與虛擬博弈的戰(zhàn)場(chǎng)。不同材質(zhì)和媒介的應(yīng)力轉(zhuǎn)換，隨著觀者的角度變化和步履頻率，將數(shù)據(jù)中心的邏輯轉(zhuǎn)化為血肉的溫度寓言；數(shù)字影像帶領(lǐng)觀眾步入由數(shù)塊碎片構(gòu)成的模型場(chǎng)域，每一幀率都反射著局部的自我影像——唯有當(dāng)觀者移動(dòng)至特定角度，無(wú)數(shù)碎片才在算法調(diào)度下聚合為完整景觀，數(shù)據(jù)的引力場(chǎng)便引發(fā)絢麗的粒子糾纏，深刻隱喻數(shù)字身份在分布式存儲(chǔ)中的脆弱與韌性，揭示人機(jī)共創(chuàng)中意識(shí)交融的奇異景觀。新媒體作品如游弋的生靈，揭示數(shù)字時(shí)代的本體論困境。增強(qiáng)現(xiàn)實(shí)技術(shù)為每位觀眾生成專屬的“數(shù)據(jù)影子”,當(dāng)浮現(xiàn)由自身移動(dòng)數(shù)據(jù)構(gòu)成的發(fā)光軌跡時(shí)，“可見(jiàn)的孤獨(dú)”精準(zhǔn)刺中現(xiàn)代性核心：我們從未如此緊密相連，卻又在數(shù)據(jù)的海洋中成為彼此的透明人。此種“生靈般的共在”,正是技術(shù)代碼意識(shí)設(shè)定的存在語(yǔ)境。歡迎步入《交互的未來(lái)》第五季展覽現(xiàn)場(chǎng)。彼時(shí)，您將不再是被動(dòng)的觀看者，而成為意義的共同創(chuàng)造者與歷史的地層塑造者。當(dāng)手指激活畫(huà)布中的聲音密碼，當(dāng)腳步擾動(dòng)器物內(nèi)在的生命氣息，當(dāng)呼吸改變霧氣的流向，當(dāng)與自身的數(shù)據(jù)影子面面相覷———場(chǎng)關(guān)于“我們?nèi)绾未嬖凇?、“我們?nèi)绾喂苍凇钡纳羁虒?duì)話已在紛繁藝術(shù)的多元交互中徐徐展開(kāi)。在技術(shù)加速解構(gòu)人類中心主義的今天，藝術(shù)反而成為確認(rèn)人之價(jià)值的最前沿陣地。展廳中的每一件作品都是構(gòu)成自我與社會(huì)景觀的微型堡壘，是重建聯(lián)結(jié)的圣殿，更是面向未來(lái)的希望種子庫(kù)。當(dāng)數(shù)字洪流席卷一切，這些鮮活的心靈以創(chuàng)造為舟，載著我們穿越數(shù)字迷霧，駛向那個(gè)與心跳共振、代碼與靈魂同頻的應(yīng)許之地。未來(lái)交互的核心密碼，正在這永恒不息的雙向奔赴中被重新書(shū)寫(xiě)一—由每一位在場(chǎng)者共同執(zhí)筆。
  李木子《8848》0分44秒數(shù)碼影像
  唐明偉《亂序05》94cm×36cm木板丙烯2024年
  張釗瀛《小劇場(chǎng)N014》30cm×40cm布面油畫(huà)2021年
  羅威《壯游》300cm×1000cm紙本綜合2015年
  潘小榮《模糊城市-2》160cm×180cm布面丙烯2025年
  朱可染《消融的塑像》2 160cm×120cm布面油畫(huà)2024年
  何啟如《翠》180cm×121cm×109cm綜合材料
  普鵬《浮生集161-這個(gè)春天，沒(méi)人為你寫(xiě)詩(shī)》80cm×100cm布面丙烯2020年
  勞家輝《粘滯》130cm×160cm布面油畫(huà)2023年
  肖穎《幻像202501》150cm×200cm綜合材料繪畫(huà)2025年
  何沙沙《山巒流衍》200cm×120cm布面丙烯2025年
  高貫一《向王爾德致敬NO.1》138cm×106cm布面丙烯2023年
  王俊遠(yuǎn)《生根》122cm×122cm×50cm陶瓷、金屬2025年
  劉冠辰《折疊空間》120cm×160cm布面油畫(huà)2024年
  楷茳《林泉破曉》180cmx100cm布面濕壁畫(huà)2024年
  曾樸《heart25》布面油彩100cm×100cm 2023年
  朱丹《靈魂，夢(mèng)，心和花園》130cm×160cm布面綜合2023年
  李強(qiáng)強(qiáng)《身體NO.7》155cm×120cm布面丙烯2024年
  王青原易藝術(shù)工作室《新竹》尺寸可變綜合材料2025年
  PREFACE
  When code functions as the electrolyte circulating within our bloodstream,when screens act as neural synapses extending our perception,and when algorithmsinvisibly shape our emotional landscapes and social structures,interaction has longtranscended the boundaries of technology and evolved into a fundamental ecologicalframework of human existence.While we"use"interactive technologies,we aresimultaneously"dwelling"within the future realm they constructIn the fifth season of"The Future of Interaction,"we move beyond the limitationsof one-way artistic expression shaped by technology.Instead,we focus on how artactively responds to,deconstructs,and redefines personal value experiences througha powerful creative voice A group of young artists from across the country—natives ofthe digital civilization—are emerging as the most innovative explorers andpractitioners of this era,equipped with heightened sensitivity and distinctiveexpressive systems.This exhibition operates as a multi-dimensional resonance laboratory,integrating the profound contemplation of easel painting,the material presence ofsculpture,the immersive spatiality of installation art,and the virtual brilliance of newmedia These creators refuse to be passive observers of the technological landscape,instead,they adopt a self-aware approach of"reverse decoding,"actively insertingtheir perspectives into the core of technological systems.Within the domain of easel painting,artists employ pigments as data carriers toconvey poetic narratives.Some works simulate the multiplicity of information layersthrough textured oil paint applications,preserving rhythmic brushwork that conveysemotional depth.Others reinterpret fragmented images sourced from social media,transforming them into intricate collages that capture the ephemerality of digitalmemory.This demonstrates that the canvas remains a medium of intense spiritualconcentration,embodying irreplicable emotional vibrations amidst the algorithmictide.Sculpture and installation have become arenas where the physical and virtualrealms interact dynamically The transformation of materials and media,combinedwith shifts in viewer perspective and movement frequency,translates data logic intoemotionally resonant narratives.Digital imagery guides viewers through fragmentedvisual fields,each frame reflecting a partial self-image Only when the viewer reachesa specific vantage point do these fragments coalesce into a unified whole underalgorithmic orchestration.The gravitational pull of data then triggers a vividentanglement of particles,metaphorically illustrating the fragility and resilience ofdigital identity in distributed environments,while revealing the complex terrain ofconsciousness integration in human-machine collaboration.New media works,akin to living organisms navigating freely,expose theontological challenges of the digital age Augmented reality generates a unique"datashadow"for each participant.As luminous trails composed of personal data emerge,the concept of"visible loneliness"strikes at the heart of modernity:never before havewe been so interconnected,yet simultaneously rendered transparent and isolatedwithin the vast sea of data.This form of"coexistence as living entities"reflects theexistential condition shaped by the consciousness embedded in technological codes.

  END來(lái)源|羅湖美術(shù)館

https://mp.weixin.qq.com/s/39G91j0UA9cn5eKF3IAY3Q